St. Basil's was built to commemorate the capture of the Tatar stronghold of Kazan in 1552, which occured on the Feast of the Intercession of the Virgin. The cathedral was thus officially named Cathedral of the Intercession of the Virgin by the Moat (the moat being one that originally ran beside the Kremlin).
But the cathedral was popularly known as St. Basil's Cathedral, after St. Basil the Blessed (a.k.a. St. Basil Fool for Christ; 1468-1552), almost from the beginning. Basil impressed Ivan in 1547 when he foretold a fire that swept through Moscow that year. Upon his death, Basil was buried in the Trinity Cathedral that stood on this site at the time.
The Cathedral of the Intercession a.k.a. St. Basil's Cathedral was constructed from 1555 to 1560. Legend has it that after it was completed, Ivan had the architect blinded in order to prevent him from building a more magnificent building for anyone else. (In fact, he went on to build another cathedral in Vladimir.)
In 1588, Tsar Fyodor Ivanovich added a ninth chapel added on the eastern side to house the grave of St. Basil.
In modern times, St. Basil's came very close to falling victim to Stalin, who resented that it prevented his soldiers from leaving Red Square en masse. But the architect Baranovsky stood on the cathedral's steps and threatened to cut his own throat if the masterpiece was destroyed and Stalin relented (but punished Baranovsky with five years in prison).
More recently, St. Basil's Cathedral has suffered significant damage from weather and neglect. It was not until the Millennium that funds were allocated to restore its foundations and flaking surfaces.
Nothing is known about the builders, Barma and Postnik Yakovlev, except their names and the dubious legend that Ivan had them blinded so that they could not create anything to compare. Historians unanimously state that this is nothing but urban folklore.
Architectural specialists are to this day unable to agree about the governing idea behind the structure. Either the creators were paying homage to the churches of Jerusalem, or, by building eight churches around a central ninth, they were representing the medieval symbol of the eight-pointed star. The original concept of the Cathedral of the Intercession has been hidden from us beneath layers of stylistic additions and new churches added to the main building. In fact, when built, the Cathedral was all white to match the white-stone Kremlin, and the onion domes were gold rather than multi-colored and patterned as they are today.
In the 17th century a hip-roofed bell tower was added, the gallery and staircases were covered with vaulted roofing, and the helmeted domes were replaced with decorated ones. In 1860 during rebuilding, the Cathedral was painted with a more complex and integrated design, and has remained unchanged since.
For a time in the Soviet Union, there was talk of demolishing St. Basil's - mainly because it hindered Stalin's plans for massed parades on Red Square. It was only saved thanks to the courage of the architect Pyotr Baranovsky. When ordered to prepare the building for demolition, he refused categorically, and sent the Kremlin an extremely blunt telegram. The Cathedral remained standing, and Baranovsky's conservation efforts earned him five years in prison.
The Cathedral is now a museum. During restoration work in the seventies a wooden spiral staircase was discovered within one of the walls. Visitors now take this route into the central church, with its extraordinary, soaring tented roof and a fine 16th Century iconostasis. You can also walk along the narrow, winding gallery, covered in beautiful patterned paintwork.
One service a year is held in the Cathedral, on the Day of Intercession in October.
What to See at St. Basil's Cathedral
Saint Basil's is located at one end of Red Square, just across from the Spasskaya Tower of the Kremlin. Not particularly large, it consists of nine chapels built on a single foundation.
The riot of color and shapes that is St. Basil's Cathedral is unmatched anywhere else in the world. The French diplomat Marquis de Custine commented that it combined "the scales of a golden fish, the enamelled skin of a serpent, the changeful hues of the lizard, the glossy rose and azure of the pigeon's neck" and wondered at "the men who go to worship God in this box of confectionery work."
The powerfully eastern design of St. Basil's reflects both its location between Europe and Asia and its historical origins. Since the Kazan Qolsharif mosque had been the principal symbol of the Khanate captured by Ivan the Terrible, some elements from the mosque were incorporated into the cathedral to symbolize the victory.
Although the towers and domes appear chaotic, there is symmetry and symbolism in its design. There are eight domed chapels symbolizing the eight assaults on Kazan: four large and octagonal and four small and square. In the center is a tent-roofed spire topped with a small golden dome.
The ninth chapel on the east side added in 1588 for Basil's tomb interrupts the symmetery of design somewhat. It can be recognized on the outside by its green-and-gold dome studded with with golden pyramids.
The interior is a maze of galleries winding from chapel to chapel and level to level via narrow stairways and low arches. The walls are painted in floral and geometric patterns.
St. Basil the Blessed can be visited in his chapel on the lower floor, where he lies in a silver casket in gaudy splendor. Upstairs, the Chapel of the Intercession contains the equally splendid blue and gold iconostasis. Other chapels, such as that of St. Nicholas, are more restrained and even austere in their decor.
In a garden at the front of the cathedral stands a bronze statue commemorating Dmitry Pozharsky and Kuzma Minin, who rallied Russia's volunteer army against the Polish invaders during the Time of Troubles in the late 16th and early 17th centuries.
The statue was originally constructed in the center of Red Square, but the Soviet government felt it obstructed parades and moved the statue in front of the cathedral in 1936.
Address: Red Square, Moscow, Russia
Phone: 095/298-3304
Hours: 11am-6pm; closed Tues and 1st Mon of each month
But the cathedral was popularly known as St. Basil's Cathedral, after St. Basil the Blessed (a.k.a. St. Basil Fool for Christ; 1468-1552), almost from the beginning. Basil impressed Ivan in 1547 when he foretold a fire that swept through Moscow that year. Upon his death, Basil was buried in the Trinity Cathedral that stood on this site at the time.
The Cathedral of the Intercession a.k.a. St. Basil's Cathedral was constructed from 1555 to 1560. Legend has it that after it was completed, Ivan had the architect blinded in order to prevent him from building a more magnificent building for anyone else. (In fact, he went on to build another cathedral in Vladimir.)
In 1588, Tsar Fyodor Ivanovich added a ninth chapel added on the eastern side to house the grave of St. Basil.
In modern times, St. Basil's came very close to falling victim to Stalin, who resented that it prevented his soldiers from leaving Red Square en masse. But the architect Baranovsky stood on the cathedral's steps and threatened to cut his own throat if the masterpiece was destroyed and Stalin relented (but punished Baranovsky with five years in prison).
More recently, St. Basil's Cathedral has suffered significant damage from weather and neglect. It was not until the Millennium that funds were allocated to restore its foundations and flaking surfaces.
Nothing is known about the builders, Barma and Postnik Yakovlev, except their names and the dubious legend that Ivan had them blinded so that they could not create anything to compare. Historians unanimously state that this is nothing but urban folklore.
Architectural specialists are to this day unable to agree about the governing idea behind the structure. Either the creators were paying homage to the churches of Jerusalem, or, by building eight churches around a central ninth, they were representing the medieval symbol of the eight-pointed star. The original concept of the Cathedral of the Intercession has been hidden from us beneath layers of stylistic additions and new churches added to the main building. In fact, when built, the Cathedral was all white to match the white-stone Kremlin, and the onion domes were gold rather than multi-colored and patterned as they are today.
In the 17th century a hip-roofed bell tower was added, the gallery and staircases were covered with vaulted roofing, and the helmeted domes were replaced with decorated ones. In 1860 during rebuilding, the Cathedral was painted with a more complex and integrated design, and has remained unchanged since.
For a time in the Soviet Union, there was talk of demolishing St. Basil's - mainly because it hindered Stalin's plans for massed parades on Red Square. It was only saved thanks to the courage of the architect Pyotr Baranovsky. When ordered to prepare the building for demolition, he refused categorically, and sent the Kremlin an extremely blunt telegram. The Cathedral remained standing, and Baranovsky's conservation efforts earned him five years in prison.
The Cathedral is now a museum. During restoration work in the seventies a wooden spiral staircase was discovered within one of the walls. Visitors now take this route into the central church, with its extraordinary, soaring tented roof and a fine 16th Century iconostasis. You can also walk along the narrow, winding gallery, covered in beautiful patterned paintwork.
One service a year is held in the Cathedral, on the Day of Intercession in October.
What to See at St. Basil's Cathedral
Saint Basil's is located at one end of Red Square, just across from the Spasskaya Tower of the Kremlin. Not particularly large, it consists of nine chapels built on a single foundation.
The riot of color and shapes that is St. Basil's Cathedral is unmatched anywhere else in the world. The French diplomat Marquis de Custine commented that it combined "the scales of a golden fish, the enamelled skin of a serpent, the changeful hues of the lizard, the glossy rose and azure of the pigeon's neck" and wondered at "the men who go to worship God in this box of confectionery work."
The powerfully eastern design of St. Basil's reflects both its location between Europe and Asia and its historical origins. Since the Kazan Qolsharif mosque had been the principal symbol of the Khanate captured by Ivan the Terrible, some elements from the mosque were incorporated into the cathedral to symbolize the victory.
Although the towers and domes appear chaotic, there is symmetry and symbolism in its design. There are eight domed chapels symbolizing the eight assaults on Kazan: four large and octagonal and four small and square. In the center is a tent-roofed spire topped with a small golden dome.
The ninth chapel on the east side added in 1588 for Basil's tomb interrupts the symmetery of design somewhat. It can be recognized on the outside by its green-and-gold dome studded with with golden pyramids.
The interior is a maze of galleries winding from chapel to chapel and level to level via narrow stairways and low arches. The walls are painted in floral and geometric patterns.
St. Basil the Blessed can be visited in his chapel on the lower floor, where he lies in a silver casket in gaudy splendor. Upstairs, the Chapel of the Intercession contains the equally splendid blue and gold iconostasis. Other chapels, such as that of St. Nicholas, are more restrained and even austere in their decor.
In a garden at the front of the cathedral stands a bronze statue commemorating Dmitry Pozharsky and Kuzma Minin, who rallied Russia's volunteer army against the Polish invaders during the Time of Troubles in the late 16th and early 17th centuries.
The statue was originally constructed in the center of Red Square, but the Soviet government felt it obstructed parades and moved the statue in front of the cathedral in 1936.
Address: Red Square, Moscow, Russia
Phone: 095/298-3304
Hours: 11am-6pm; closed Tues and 1st Mon of each month
No comments:
Post a Comment